The final stage of the journey from the studio to the releases, Sonarpilot Audio have always ensured the mastering and rendering of our releases is handled professionally, ensuring the very highest quality of hi fidelity sound. For this we only use our trusted partners, some of the worlds finest sound engineers...
Beau Thomas - Ten Eight Seven Mastering (London)
Summer 2019 saw the label move into new genre territory with 'Northern Lights' - The first official Drum & Bass release on Sonarpilot Audio. Ensuring we achieved the right sound on masters we worked with the legendary Beau Thomas at Ten Eight Seven in London. The studio is pretty much the go-to mastering house for the drum and bass industry, with label clients such as Metalheadz and Dispatch records.
Robert Babicz - RB Mastering (Germany)
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Most DJ’s play songs which producers make. Then there is Robert Babicz who makes music, which touches people and has a lasting effect, which not many can reciprocate. Robert Babicz has been said to be the most versatile producer coming out of Germany for many years. A true pioneer of minimalistic sounds as well as raw groove. An innovator of sound who has managed to define his own genre, whether producing Tech House, Minimal or Acid Techno.
Every Babicz track can clearly be distinguished by his powerfully mastered, deep compressed basslines and effects. Also worth mentioning is his constant releases on top labels such as Systematic, Kompakt/K2 , Audiomatique, Out Of Orbit, Punkt, Treibstoff and Mille Plateaux. By simply looking at his studio (http://www.robertbabicz.de/)we can understand why Babicz’s tracks are truly appreciated whether on the dance floor or simply easy listening. Every aspect of the Babicz sound is amplified and tweaked to the maximum.
The German wizard assumes control of the sensory abilities of every person on the dancefloor from the moment he hits his first note and proceeds to play as a musical puppet master from the helm of his 100 per cent live set up. DARK FLOWER
Martin Iveson aka Atjazz - ARCoLabs (UK)
With over 10 years experience in Digital “Musical Mastering” Martin Iveson has put his hand to vast amount of projects for a wide range of discerning artists & clients worldwide.
Over many years we have been the end process of many artists albums, audio projects, theatre productions & video games audio.
Miso Records (UK) | Yoruba Records (USA) | Tone Control (UK) | Atjazz Record Company (UK) | Development Music (UK) | Do It Now Recordings (RSA) | Grems Industries (FR) | Tru Thoughts (UK) | Superficially Deep (UK) | Room With A View (DE) | Ocha Records (USA) | Arecha Records (NL) | Local Talk (SE) / Parolphone (UK) / Warner Records (FR) / Urban Torque (UK) / Stay True Sounds (RSA) / King Brit Archives (USA) / Phat Elephant (NL) | House Afrika (RSA) / Sony (RSA) | Ninja Tune (UK) | In Beat-Ween (RU) | Parlophone (UK) | Stay True Sounds (RSA) | Counter Records (UK) | Less Than Ten (UK) | Konami (JP) | Impromptu Software (UK) | Capcom (JP) / DJ Spinna (USA) / Numb Records (UK) / MdCL (NZ) / Ninja Tune (UK) / Seven Davis Jr (USA) / Brownswood Recordings (UK) / Basic Fingers (SE)
“Being a record label owner and record producer really helps me to understand the specific and personal requirements of the artists I master for.” - Martin Iveson